But no one could have predicted his success when he began composing for film in 1992 with the Tamil-language film Roja. There, he learned how to write quickly and convey strong emotions in short musical snippets-two skills that would prove invaluable in India’s high-volume film industry. He went on to study western classical music at Oxford, convert to Sufism and change his name, and then return to India to compose ad jingles. After the untimely death of his father, a musician and sometime film composer, Rahman began playing music professionally to support his family he was just 11 years old. Dileep Kumar in Madras (now Chennai), India, in 1966, Rahman had two obsessions growing up: music and technology. Rahman combines a fierce work ethic with an inquisitive, musically omnivorous approach that has forever changed India’s film-soundtrack industry.
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